- Detuner massive native instruments how to#
- Detuner massive native instruments manual#
- Detuner massive native instruments software#
I also remember thinking how cool it was when I discovered the hidden Bass Pulse wavetable. For example, I love playing with the Morph and Sustain Loop settings in the Envelopes.
There are definitely some overlooked features that you don’t hear many people talk about. In my opinion, it’s head and shoulders above the more common list-style modulation found in many synths. I really fell in love with the drag-and-drop modulation system.
Detuner massive native instruments software#
The idea that a software synth is still so popular after a decade of use is unheard of.
Detuner massive native instruments manual#
It came in a box with a CD installer and paper manual – the times sure have changed! When Massive first came out, people would joke on forums that it was a “Massive” CPU drain, but that’s what made it age so gracefully. I decided to buy Massive back in 2008 because I wasn’t enjoying using the stock synths that came with Logic at the time. It was time to get deep, so we did something we had never done before and actually read the manual! Next thing you know we were making noises that eventually became the backbone of our “Wall of Sound” album. For the first year, we made simple progress, but then we started hearing noises in tracks that were blowing us away. Compared to some of the plugins we had been using up to that point, it had a very intuitive GUI, it was precise, the Macros section was fresh, and you could create amazing noises really quickly. We got our copy of Massive in 2009, and it was an absolute game changer. The drum & bass producer: Drumsound & Bassline Smith There are many amazing digital synths out there, but Massive has always managed to be a staple in the toolkit of almost every producer that we know. Having three rich wavetable oscillators really helps to achieve that beefy sound. The Performer is very intuitive, and it’s easy to create unique sequences within it. The drag-and-drop modulation assignment feature saves us a lot of time, so we can quickly create powerful sounds.įavourite effects include Chorus, Classic Tube and Dimension Expander, which are especially well programmed. Filter FM and Ring Modulation are also very handy tools. Working with two oscillators and combining both filters can create some very fat sounds. The easy workflow is the main thing with this synth. We use Massive for everything from bass sounds and squelchy growls to clean progressive plucks. The sound design house: Redhead Roman & Steven Kelly And with an eye to the future, we find out why developers, producers, musicians and educators still rate MASSIVE as their number one. To celebrate MASSIVE’s Expansion range of preset packs and the recent NKS integration addition, we asked those who love MASSIVE like family to look back on the last ten years of life with this now-constant companion. As time went on, the Native Instruments ecosystem substantially contributed to the success of MASSIVE through KOMPLETE, sound packs, hardware, and MASCHINE integration. With its famous ‘one page’ design, the simplicity of MASSIVE’s interface belies the complex coding under the hood that utilises three wavetable oscillators to create monster basses, complex leads, rhythmic pads, and everything in between. The biggest challenge was to find the best balance between complexity and flexibility. They knew that as technology progressed and CPUs became more powerful over time, MASSIVE’s innovative sonic engine would align with the hardware’s capabilities – making it the incredibly agile performer it is today. A decade ago, CPUs struggled to get the best from MASSIVE, but the team were looking to the future.
The idea was to create a synth that was ahead of its time in terms of sound quality and usability.
Detuner massive native instruments how to#
The potential of wavetable synthesis was there for all to see, but how to unlock the full spectrum of these possibilities? This became MASSIVE’s mission. Designed by Mike Daliot, a key figure in the REAKTOR story, this flexible single-screen synth has pushed the boundaries of what subtractive synthesis can achieve. Back in 2006, Native Instruments proudly released a synth that came to define modern electronic music: MASSIVE.
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